The Best Pictures That Never Won a Best Picture Oscar
by Maggie Van Ostrand
Oscar will be allowed out of his Chicago vault for the annual trip to Hollywood on February 24th. He'll be 80 years old this year and we'd like to know who his plastic surgeon is. You can't tell us he hasn't had a butt lift.
Speaking of butts, to sashay or not to sashay down the red carpet was a close shave this year due to the WGA strike, but now all is well and everyone is publicly friendly again. Actors as well as backless, frontless, mindless starlets and media-created celebs will wave to fans and stop for media interviews, writers can supply the jokes they secretly wrote and hid until the strike was settled, and Jon Stewart will have a plethora of current material to make this the show we've been anxiously awaiting.
Everyone's making book on who'll return their borrowed dresses and tuxes to the designers and the jewels to Harry Winston's. The track record for the return of borrowed clothing is dismal. Every time a star tells the media whose dress she's wearing, it's Hollywoodspeak for "Try and get it back."
We can hope our favorite movie will come away with the big prize, but in the long run, some of the best pictures ever made did not receive Best Picture Oscars. A good example would be the AFI's choice for number one movie of all time, Citizen Kane. CITIZEN KANE: Though Citizen Kane was nominated in nine categories in 1941, it won only Best Original Screenplay by Orson Welles and Herman J. Mankiewicz. It has been said that boos were heard whenever the name Citizen Kane was mentioned because powerful newspaper magnate, William Randolph Hearst, on whose life the film was alleged to be based, threatened voters with the old chestnut, "You'll never work in this town again." An interesting note: Kane's editor was future Oscar-winning director Robert Wise.
PSYCHO: In 1960, this iconic film was not nominated for Best Picture. Hitchcock was at least nominated, though he did not win either. Bernard Hermann wasn't even nominated for one of the most frightening of all film scores. The screech alone should've won. Fanboys, smarter than Oscar voters, disagreed and voted Psycho #2 on their list of Best Movies.
SHAWSHANK REDEMPTION: Shawshank Redemption never got an Oscar, despite seven nominations. Pulp Fiction was also knocked out of the box by Forrest Gump in 1994. Fans avenged Shawshank by voting it the number two film of all time on IMdB (second only to The Godfather). Shawshank is the highest rated film on Yahoo Movies. It was voted the best film never to have won Best Picture in a 2005 BBC poll.
VERTIGO: One of fans' favorite Alfred Hitchcock films is the psychological thriller, Vertigo. It wasn't even nominated for Best Picture, only for set design and sound. Didn't win those either. To add insult to injury, Hitchcock himself ... I can hardly bear to write it ... never won an Oscar. HITCHCOCK NEVER WON AN OSCAR!!! And only one of his films (Rebecca) won Best Picture. Hitchcock was the best film-maker never to have been handed an Oscar, according to a poll of British movie viewers.
2001: A SPACE ODYSSEY: Hard to believe it didn't win Best Picture, isn't it? The Best Picture award in 1968 instead went to Oliver. Like who remembers Oliver now? 2001 was nominated for four awards that year, excluding best picture, but only won for visual FX. Today, 2001 is widely recognized by critics and audiences alike as one of the greatest of all movies.
STAR WARS: Despite a surprising loss of Best Picture to Annie Hall in 1977, Star Wars unleashed a series of films which earned $4.5 billion to date. It won only Best Visual FX (big deal). George Lucas cites Hardware Wars, a 1977 spoof, as his favorite of all the Star Wars parodies, with Mel Brooks' Spaceballs a close second choice. Lucas made no comment about SNL's parody with Kevin Spacey doing Christopher Walken auditioning for the role of Hans Solo.
APOCALYPSE NOW: Can someone tell us how Apocalypse could have lost out to Kramer Vs. Kramer? What's up with that? With more memorable quotes than nearly any other film in history, this masterpiece is rated by Fanboys at #8, by the AFI as #30.
FARGO: Another Coen Brothers masterpiece which didn't get an Oscar. Maybe this year will make up for that. In 1996, Fargo lost out to the sob-sister story, The English Patient. The Coens are famous for movies which come from dark places they want to take you to, whether you want to go there or not. Voters must have felt a romantic crying jag was better than the sureness of Coenesque quality and longevity.
PHILADELPHIA: Never won Best Picture which went instead, in 1993, to Schindler's List. Sure Philadelphia won for Tom Hanks as actor and Bruce Springsteen as songwriter, but it wasn't even nominated for Best Picture. That omission still rankles.
GOODFELLAS: At least it was nominated, and the Academy recognized Joe Pesci for Best Supporting Actor, but Best Picture went to Dances With Wolves in 1990. Nothing against Dances, but let's face it, Goodfellas is on most fans' favorite list while Dances is just, well, there. At least it's #15 on IMdB's list and Fanboys voted it as Scorsese's masterpiece at their #7. That may even be better than an Oscar. E.T.: The Extra-terrestrial: Nominated but lost. Sure it won Best Music and Sound and FX but so what? It didn't win Best Picture. Gandhi did, which goes to show that Academy voters would rather see a skinny Indian dude in a white diaper than a skinny alien critter in a bicycle basket.
DOG DAY AFTERNOON: Attica! Attica! Pacino, too, was robbed of an Oscar in 1975 for his sublime portrayal of the hapless character, Sonny, who needed to rob a bank to get money for his gay partner's sex-change operation. Best Writing Original Screenplay went to Frank Pierson for his screenplay based on a true story. We suppose we'll get over this loss, since the award went to Cuckoo's Nest, and who could object to that. Other amazing competitors that year included the classic Jaws.
BONNIE AND CLYDE: In 1967, Bonnie and Clyde lost out to In the Heat of the Night. Some solace can be found in knowing that the same year, The Graduate also lost. And Cool Hand Luke wasn't even nominated for Best Picture. Academy voters appear to cast their ballots for movies reflecting the day's news, and have no sense of films that will become classics in our time and always.
SOME LIKE IT HOT: The iconic Billy Wilder film, one of Marilyn Monroe's best, was not even nominated in 1959 for Best Picture. Very shortsighted of the Academy, wouldn't you say? We're still talking about it, snippets are still being shown on entertainment and pop culture shows, and Tony Curtis is still giving interviews about whether or not he ever said "Kissing Marilyn was like kissing Hitler." But who's talking about the movie that actually won that year, Ben Hur? If not for the chariot race, nobody would even remember it.
THE WIZARD OF OZ: Okay, it would've been really, really hard to win in 1939 against Gone With the Wind, Dark Victory, Goodbye Mr. Chips, Mr. Smith Goes to Washington, Wuthering Heights, and Stagecoach, among others (10 nominees in all), but still ...
Trivia: One of the very few films to be on every list that actually won Best Picture, is Casablanca. "This is the worst film we've ever come across," said Bogie, "It's just a fright." Bergman also complained. Both stars made desperate efforts to ditch their parts. Believe it or not, their roles were originally slated for Hedy Lamarr and Ronald Reagan.
The model for the Oscar statuette was a naked Mexican named Emilio Fernández, who had a platonic relationship with fellow Mexican and big Hollywood star, Dolores del Río. Her famous husband, Cedric Gibbons, had been assigned by the Academy to design their award. Del Río introduced Fernández to her husband and he agreed that Fernández would be the perfect model.
In 1999, South Park creators Trey Parker and Matt Stone showed up in drag at the Oscars as Jennifer Lopez and Gwyneth Paltrow.
With 14 nominations, matching the record set by All About Eve, and 11 Oscars, Titanic tied for first place with Ben-Hur as the most honored picture of all time.
Charlize Theron was the tenth actress to win an Oscar for playing a hooker, Monster, 2003 (Best Actress). Her predecessors were Anne Baxter, The Razor's Edge, 1946 (Best Supporting); Claire Trevor, Key Largo, 1948 (Best Supporting); Donna Reed, From Here to Eternity, 1953 (Best Supporting); Jo Van Fleet, East of Eden, 1955 (Best Supporting); Dorothy Malone, Written on the Wind, 1956 (Best Supporting); Elizabeth Taylor, Butterfield 8, 1960, (Best Actress) -- sometimes called The Throat Vote because it was widely believed that her life-saving tracheotomy was the real reason she won with a sympathy vote; Jane Fonda, Klute, 1971 (Best Actress); Mira Sorvino, Mighty Aphrodite, 1995 (Best Actress).
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